I was transfixed by this animated film, not because of the story — a traditional mix of family-oriented fantasy quest elements — but because of the astonishing artistic imagination on display throughout the film.
Ernie Barbarash's “CUBE ZERO”
I rather enjoyed this direct-to-video Canadian horror film.
Takashi Shimizu's REINCARNATION
This is one creepy movie!
Sometimes I’m in the mood for something absurd but interesting.
Je-gyun Yun's TIDAL WAVE (HAEUNDAE)
As disaster movies go this one is pretty good. We get to know an odd group of people and wonder, of course, which will survive When The Big One Hits.
Sylvester Stallone's THE EXPENDABLES
Team of over the hill mercenaries rescue damsel in distress in a tiny corrupt island based military dictatorship. In the process the island is reduced to smoking rubble and piles of corpses.
Michael Powell's “AGE OF CONSENT”
In this 1969 film an ageing and bored successful artist leaves New York for a sun-filled respite on a beautiful but sparsely populated Australian island. There he runs into a teenager who serves as his model. In the process his creative juices start flowing again.
Na Hong-Jin’s “THE CHASER”
Following the success of Silence of the Lambs, movie and TV audiences have been treated to many pale imitations, most of which have failed to excite or provide any serious dramatic interest
Alexander Sokurov's THE SUN
I have no idea how factually accurate this movie about Emperor Hirohito’s emergence following Japan’s defeat in WWII is. As a movie, though, it is engrossing, thoughtful, and occasionally, visually dazzling.
Rob Zombie's THE HAUNTED WORLD OF EL SUPERBEASTO
My biggest complaint about this feature length “adult” cartoon is not about gratuitous sex and violence — that’s Rob Zombie’s whole point — it’s one very simple but unmistakable fact:
Val Guest's DAY THE EARTH CAUGHT FIRE
Val Guest’s businesslike direction and matter-of-fact approach to depicting extraordinary circumstances in a near-documentary style here yield a still-watchable and very entertaining thriller that takes place in London in the early 1960’s.
Robert Brousseau's “RACE”
This is the “intergalactic pod race” story you get from people who don’t read enough good science fiction.
Val Guest's QUATERMASS 2 (ENEMY FROM SPACE)
This mixture of British horror and sci-fi from 1957 is thoughtful and at the same time scary.
Park Chan Wook's THIRST
Plot summary:
* Devout priest volunteers for medical experiment
* Becomes lustful vampire as a result
* Sex/violence/building-hopping/tragedy/ensue
Christian Alvart's PANDORUM
Plot summary:
Outer Space Zombies.
Dziga Vertov's THE MAN WITH A MOVIE CAMERA (Chelovek s kinoapparatom)
This 1929 silent film by Russian director Vertov is a masterpiece of fluid editing and visual storytelling.
Steven Spielberg's CATCH ME IF YOU CAN
“Oh yeah, this is what the credits for an Otto Preminger comedy would look like!”
Jack Arnold's IT CAME FROM OUTER SPACE
Back in 1976 I was taking a driving tour of California, my first.
“Imaginarium” is an inventive and fun film that becomes more engrossing as it unfolds.