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This is not your typical Stathan action movie. I enjoyed it along with the excellent direction and beautiful nighttime photography. The thick English accents are a bit tough to follow at times but if you just follow the movement and the eyes you’ll be fine.
Does FDR come through as a major cad in how he relates to women? Absolutely. But also portrayed is how the women respond and adjust while still managing to pull strings. It’s a fascinating view of a time and place and reminds us that these gods of our history were human too.
The only other movie within recent memory that packed a similar emotional wallop for me was TREE OF LIFE
Godzilla is much more “serious” and “realistic.” Death and destruction are much more immediate and visceral and less “cartoony.” You really sense that you are witnessing to something awful happening that humans just can’t deal with.
When all is said and done, though, this is Peter O’Toole’s movie. The sensitivity of his performance is amazing to watch. We are fortunate to have a record of such performances
Movie review by Dennis D. McDonald
This Cold War submarine spy thriller is a real winner. Ed Harris excels as the nearly retired captain of an end of service life Russian nuclear missile submarine. Reluctantly he receives one last assignment. Onboard is a rogue set of KGB agents who are testing a fancy acoustic cloaking device they say will change the balance of power against the Americans. But that’s not why they’re really there. The captain realizes that — but only too late.
The cast, photography, editing, sound, and characters are excellent. Why I have never heard of this 2013 movie I don’t know. If you’re a fan of movies like Hunt for Red October this is the movie for you. Plot twists abound but the real focus is the interplay among the characters. Dialogue and acting are top-flight. Highly recommended.
Text copyright (c) 2014 by Dennis D. McDonald
What a gorgeous movie to look at this is! Plus, the intertwining stories and jumps in time provide amazing and often confusing food for thought.
Ari Folman’s THE CONGRESS is a feast for the eye and the imagination. On it I hereby bestow my coveted ONE OF A KIND tag though I must admit that some of the other films in that category seem now to pale in comparison with Folman’s masterpiece.
Sarah Polley’s STORIES WE TELL is an exploration of how truth and memory interact in subtle and subjective ways about one family’s past history.
This new version, thankfully, is not quite so brutal and the plentiful action sequences don’t glory in gore and bloodsplatter the way, say, an EXPENDABLES film does.