I research, consult, and write about open data, project management, new media, standards, mobile technology, and collaboration. I’m working with BaleFire Global on open data programs and with Michael Kaplan PMP on SoftPMO project management services. Click or tap my picture for my contact information.
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Ari Folman’s THE CONGRESS is a feast for the eye and the imagination. On it I hereby bestow my coveted ONE OF A KIND tag though I must admit that some of the other films in that category seem now to pale in comparison with Folman’s masterpiece.
Sarah Polley’s STORIES WE TELL is an exploration of how truth and memory interact in subtle and subjective ways about one family’s past history.
This new version, thankfully, is not quite so brutal and the plentiful action sequences don’t glory in gore and bloodsplatter the way, say, an EXPENDABLES film does.
In summary: you could do a lot worse than this movie for a dose of World War II history. Its attempts to overcome stereotypes and instead illuminate cultural differences are refreshing.
But with a movie like X-Men you get the sense that there is just too much of everything — too many characters, too many action scenes, too many speeches, too many forgettable details.
Compared with too many other World War II movies that came out of Hollywood during World War II THEY WERE EXPENDABLE is exceptional.
Keanu Reeves deserves praise for directing this film. The blend of serious action and engrossing story work extremely well here and raises this film way above the many run-of-the-mill fight films out there. Highly recommended.
The first half of ENDER’S GAME plays like every “raw recruit boot camp” movie you’ve ever seen, punctuated by sequences about paintball in zero gravity.