Every now and then I come across a gem via streaming Netflix. Night Train to Lisbon, directed by Bille August, is one such gem.
John Ford's “THEY WERE EXPENDABLE”
Compared with too many other World War II movies that came out of Hollywood during World War II THEY WERE EXPENDABLE is exceptional.
Disney's FROZEN
I put Frozen right up there, almost with Tangled, but with better music
Keanu Reeves' MAN OF TAI CHI
Keanu Reeves deserves praise for directing this film. The blend of serious action and engrossing story work extremely well here and raises this film way above the many run-of-the-mill fight films out there. Highly recommended.
Gavin Hood's ENDER'S GAME
The first half of ENDER’S GAME plays like every “raw recruit boot camp” movie you’ve ever seen, punctuated by sequences about paintball in zero gravity.
David Twohy's RIDDICK
If you want to see a tough guy with glowing eyes kick ass from dawn to dusk, this is the movie to see.
Christopher McQuarrie's JACK REACHER
Jack Reacher is another solid action film from Tom Cruise. It is well-written, tightly paced, and it has excellent photography and editing. Night-time photography is extremely well done with bright colors and clarity throughout.
Jean-Francois Laguionie's THE PAINTING
The Painting is simultaneously charming, enchanting, and entertaining. A group of characters in a painting are involved in a class struggle:
Eric Khoo's TATSUMI
Tatsumi is an adult animated film about the life and short stories of Yoshihiro Tatsumi who is often credited with starting a movement in Japan to publish adult-themed manga comics.
Kaneto Shindô's “HOKUSAI MANGA”
What a strange but interesting movie this is. It purports to tell the story of 19th century artist Hokusai who painted the world famous The Great Wave off Kanagawa. In the movie the artist also illustrates novels, argues with his daughter, and on the side paints what we now call pornography.
Alexa Gajic's “TECHNOTISE: EDIT & I”
Edit herself is an interesting mix of naïveté, intelligence, raw energy, and stubbornness. Why she hangs out with the losers she does is never fully explained but, taken together, they make up a very entertaining ride that has some of the most interesting technology animation this side of WALL•E.
Jon Wright's GRABBERS
Jon Write’s GRABBERS is a very entertaining monster movie comedy. The story elements are fairly standard: meteor plunges into sea, creature crawls ashore and terrorizes small town, townspeople gather to fight the menace. The way these elements are assembled is original, fun, and occasionally, quite charming.
Tommy Wirkola's HANSEL & GRETEL: WITCH HUNTERS
Hansel and Gretel The Witch Hunters is a train wreck of a movie. You know something awful is happening but it’s hard to look away.
Francis Lawrence's THE HUNGER GAMES: CATCHING FIRE
CATCHING FIRE is a roller coaster of a movie. We spend the first half in the station twiddling our thumbs while watching dumb things happen, then the bottom drops out and we careen down a long slope with an adrenaline rush.
Jake Schreier's ROBOT AND FRANK
This is a character driven movie about the near future that tightly focuses on an elderly retired jewel thief who lives by himself in a semi-rural but well-to-do community. His son, concerned about the old man’s mental deterioration, purchases a humanoid style robot to serve as a companion and caregiver.
James Mangold's THE WOLVERINE
While I’ve enjoyed the X-Men movies they haven’t significantly resonated with me as I was never really invested in the Marvel universe. The Wolverine is an exception.
Christian Vincent's HAUTE CUISINE
Prepare to learn something about truffles, cabbage, and salmon!
Sebastián Cordero's “EUROPA REPORT”
When all is said and done this is a good movie that can be enjoyed for what it is: an intelligent and thrilling story, elegantly produced, with excellent acting and beautiful photography.
Robert Zemeckis' FLIGHT
A lot has been written about the harrowing plane crash flight. Yep, it’s pretty harrowing, but I’ll still hold of World War Z, Numbers, and Pitch Black is having comparable crash sequences.
Wong Kar-Wai's FALLEN ANGELS
One thought that popped into my mind at first about Fallen Angels was “style over substance.” That’s simplistic. Yes, there’s a ton of style here. There is also a lot of substance. It’s just that the substance is not the feel-good or warm-and-fuzzy type; at times things get really dark. How the movie is photographed supports that. But it’s a movie well worth watching.