All in Crime

Michael Roskam’s THE DROP

But it’s the characters on display here that are the real focus. Who are these people and what are they really up to? Watching the actions of the police is especially interesting. They’re the outsiders here. Everyone goes to great lengths to keep the cops at arm’s length so they can pursue their own deals.

Wong Kar-Wai's FALLEN ANGELS

One thought that popped into my mind at first about Fallen Angels was “style over substance.” That’s simplistic. Yes, there’s a ton of style here. There is also a lot of substance. It’s just that the substance is not the feel-good or warm-and-fuzzy type; at times things get really dark. How the movie is photographed supports that. But it’s a movie well worth watching.

Fritz Lang's THE BIG HEAT

Forget the happy view of post-WWII America as fresh faced kids running around green lawns in mass produced split level suburbs fed by newly minted commuter highways and GI Bill educations. Metropolis director's Fitz Lang's 1953 film The Big Heat is a reminder of a darker time when brave film makers occasionally veered into crime, sex, and darkness, barely skittering around a Film Production Code that enforced moral views that did not include crime, sex, and darkness.