Japanese school girl goes on rampage to wreak revenge on the murderers of her little brother, gets fitted with prosthetic arm/machine gun, ensuing action consumes more artificial blood and gore than any film in recent memory.
All in Japanese
Mamoru Hosoda's “THE GIRL WHO LEAPT THROUGH TIME”
At first I thought, “Uh-oh, this is another one of those interminable animes about Japanese high school kids dealing with adolescent angst.” Boy, was I wrong.
Keiichi Sugiyama's ORIGIN: SPIRITS OF THE PAST
The visuals and artwork are impressive but the characters and story are a letdown.
Mamoru Oshii's “THE SKY CRAWLERS”
Wonderfully animated, this moody anime adventure combines elements of 1984 (perpetual warfare), Blade Runner (androids with fuzzy memories), Royal Space Force: The Wings of Honneamise (alternate history and retro-futuristic aircraft), and Dark City (constant recycling of character experiences and events).
Yoji Yamada's LOVE AND HONOR
A young samurai lives comfortably with his wife in an apartment on the grounds of a rich, aged feudal lord. His complaint: his job as a royal food taster leaves him dissatisfied and longing for more challenging and personally rewarding responsibilities.
Takeshi Yamazaki's “RETURNER”
This movie is 1000% better than it should be. Credit the director (Takeshi Yamakazi) and his top-notch crew and cast.
Makoto Shinkai's “THE PLACE PROMISED IN OUR EARLY DAYS”
The creator of Voices of a Distant Star returns to adolescence but with a serious twist.
Makoto Shinkai's “VOICES OF A DISTANT STAR”
It is a fantastic achievement. The art work is better than most of what you see on ADULT SWIM (by a very wide margin), the design of the spaceships and alien vessels is beautiful, the combination of simulation and electronic display inside the power suits looks quite original, and the story, while short at 28 minutes, packs an astonishing amount of information and story elements in while not swerving from the relentless focus on these two emotional lovers, communicating (one way) over a gulf of light years.
Satoshi Kon’s “PAPRIKA”
As we walked out of the theater after seeing Satoshi Kon’s Paprika, I told Number One Son, “Now I know it’s possible to really film a Philip K. Dick novel!”
Akira Kurosawa's “IKIRU”
This 1952 film by Akira Kurosawa really opened my eyes. I know Kurosawa from films like Seven Samurai and Throne of Blood. Ikiru is different.
Akira Kurosawa's “RED BEARD”
A young doctor with hopes of being the Shogun’s personal physician finds himself assigned to a poor rural clinic lorded over by a stern, tenacious doctor played by Toshiro Mifune – the “Red Beard” of the title.
Initially the young doctor resists the assignment.
Akira Kurosawa's “SANJURO”
The story: Young samurai wanna-be's gather to naively plot action against a corrupt local clan. Before they can cause too much trouble, a wise old samurai played by Toshiro Mifune (Red Beard, Hidden Fortress, High and Low) takes them under his wing after saving them from certain death in a night-time assault by their enemies.
Satoshi Kon's “PERFECT BLUE”
Why is this psychological terror/murder mystery/serial killer story a cartoon?
Satoshi Kon’s MILLENNIUM ACTRESS
One of the most mature, evocative, creative, and melodramatic movies I’ve seen all year is an animated film, directed by the same director (Satoshi Kon) as the realistic yet disappointing (to me) potboiler Perfect Blue and of the excellent Tokyo Godfathers.
Satoshi Kon’s "TOKYO GODFATHERS"
Satoshi Kon’s TOKYO GODFATHERS, like his MILLENIUM ACTRESS, proves again animation’s spectacular dramatic and artistic potential. From an unlikely story Satoshi weaves a dramatic and humorous tale that soars above cliché and treacly melodrama.
Hayao Miyazaki's SPIRITED AWAY
Back when I first heard the story of Spirited Away I thought that this would never go over big in the U.S. (young girl gets lost in an abandoned amusement park populated by vacationing spirits and seeks a way to turn her parents back into humans from pigs?) I thought it would make an excellent candidate as a simultaneous theatrical/DVD release, given its probable small target audience.
Hayao Miyazaki's PRINCESS MONONOKE
This is an epic adventure interspersed with elements of Japanese folklore, magic, feral teenagers, giant wolves, strong and aggressive women, warfare, politics, terrific music, and enough related plot lines to kill a horse.
Hayao Miyazaki's “PORCO ROSSO”
This is an astonishing, moving, and intelligent animated film about a post WWI Mediterranean air pirate who is half man and half pig.
Mamoru Oshii's AVALON
# VERY cool
# incredible visual style
# methodically plotted
# beautifully acted