A young man, depressed, tries to commit suicide by jumping off a bridge. Instead he washes up onto a small island in the middle of the river and is cut off from the city.
All in Comedy
Hayao Miyazaki's LUPIN THE 3RD: THE CASTLE OF CAGLIOSTRO
This is Miyazaki’s first feature films. It portends a lot of what’s to come in his career: dizzying action, vibrant color, clever stories, strong females, and humor.
The Weitz Brothers' ABOUT A BOY
Refreshing. Oddball. Quirky.
Lena Dunham's TINY FURNITURE
As a parent of two twenty-somethings I watched this film with a growing sense of horror and wanted to reach out and slap some sense into the main character.
Michel Hazanavicius' THE ARTIST
Exuberant, charming, and immensely entertaining, THE ARTIST tells ths story of a silent movie star in Hollywood whose career topples when talkies come along.
Disney's TANGLED
I thoroughly enjoyed this film. The characters are engaging, the story is clever, and the animation is absolutely positively gorgeous, at times almost breathtaking in its use of glowing color.
Woody Allen's MIDNIGHT IN PARIS
Roger Ebert in his review of this movie says “There is nothing to dislike about it.” If you read his whole review there’s clearly much to like about it, despite a rocky start.
What an extraordinary film this is. Visually it’s a feast; colors and clever framing delight the eye. The plot twists and turns. And Penélope Cruz positively glows in scene after scene.
Michael Powell's “AGE OF CONSENT”
In this 1969 film an ageing and bored successful artist leaves New York for a sun-filled respite on a beautiful but sparsely populated Australian island. There he runs into a teenager who serves as his model. In the process his creative juices start flowing again.
Rob Zombie's THE HAUNTED WORLD OF EL SUPERBEASTO
My biggest complaint about this feature length “adult” cartoon is not about gratuitous sex and violence — that’s Rob Zombie’s whole point — it’s one very simple but unmistakable fact:
Steven Spielberg's CATCH ME IF YOU CAN
“Oh yeah, this is what the credits for an Otto Preminger comedy would look like!”
Ricky Gervais & Matthew Robinson's THE INVENTION OF LYING
What a subversive little film this is. And sweet. And funny. And unexpected.
Nina Paley's SITA SINGS THE BLUES
I was mesmerized and entertained by this animated film. Paley intertwines the classic Ramayana with a modern love story, old blues songs, and lively comments on Indian culture by talking shadow puppets.
Noboru Iguchi's THE MACHINE GIRL
Japanese school girl goes on rampage to wreak revenge on the murderers of her little brother, gets fitted with prosthetic arm/machine gun, ensuing action consumes more artificial blood and gore than any film in recent memory.
Wes Anderson's THE FANTASTIC MR. FOX
This is a very funny and beautifully prouduced piece of whimsy. The characters are interesting, the story is clever, the dialog is witty, and the voice performances are superb.
Timur Bekmambetov's DAY WATCH
I see elements from The Matrix, Lock, Stock and Two Smoking Barrels, and Resident Evil. And vampires, of course.
Sam Raimi's “DRAG ME TO HELL”
Sam Raimi’s DRAG ME TO HELL is fitfully entertaining. But it commits what I consider the unpardonable sin for a horror movie:
Ruben Fleischer's “ZOMBIELAND”
Need to laugh? See this movie.
Peter Docter's UP
I’ve seen this movie twice so far. I’d like to see it again in the theater before it leaves. Why? I just enjoyed it so much. It’s funny, touching, exciting, screwball, warm, lovely, and just plain entertaining.
Lilo & Stitch
This movie is one of the sweetest movies I’ve seen in years. And I mean that as a sincere compliment.