Dennis D. McDonald (ddmcd@ddmcd.com) consults from Alexandria Virginia. His services include writing & research, proposal development, and project management.

Isao Takahata's "THE TALE OF THE PRINCESS KAGUYA"

Isao Takahata's "THE TALE OF THE PRINCESS KAGUYA"

Movie review by Dennis D. McDonald

I should probably think about this some more but THE TALE OF THE PRINCESS KAGUYA might be the single best animated film I've ever seen.

I've always loved animated films. I'm enchanted by traditional Disney films like FANTASIA and the more modern efforts of Miyazaki and Pixar. But TALE is in a class by itself due to its sheer artistry and emotional power. 

The artwork is gorgeous. The natural world of birds, insects, trees, and flowers on display is profoundly lovely and shown in a gorgeous array of detailed watercolors that shift and move naturally. We know these scenes are paintings but they look and act like subtle brush paintings come to life. 

Character designs are a combination of classically appearing Japanese figures who move, speak, and wear classical Japanese garments in the most natural ways. Such domestic details as bowls, musical instruments, and weaving looms appear as drawings that are simultaneously detailed and subtle in their appearance. Watch how the different parts of the loom move as it is operated during a key conversation between the main characters. Better yet, watch how babies move about or watch the subtle play of expressions across Kaguya’s face.

The story itself appears to be a simple folktale but over time reveals a wide range of emotions and complex human relationships. Joe Hisaishi's musical soundtrack shows him at the top of his form; I'll rank this one up there alongside his Princess Mononoke’s and Spirited Away’s music. 

While the story’s foundation may be a fairy tale, the emotions on display are complex and deep. It's a masterful accomplishment. My only complaint: the subtitles are yellow and sometimes difficult to read — but please do not let that stop you from enjoying this masterpiece. 

Review copyright (c) 2021 by Dennis D. McDonald

Chloé Zhao's “NOMADLAND”

Chloé Zhao's “NOMADLAND”

Sung-hee Jo's "SPACE SWEEPERS"

Sung-hee Jo's "SPACE SWEEPERS"