All in Horror
Higuchinsky's UZUMAKI
Things in this town are so weird that we cannot take it seriously, yet they are familiar enough to generate a sense of foreboding.
Walter Salles' DARK WATER
While other reviewers (and the crew interviewed on the DVD’s bonus features) compare it with Rosemary’s Baby, I think it refers back much more to the classic — and disturbing — Don’t Look Now by Nicholas Roeg.
Marius Penczner's “I WAS A ZOMBIE FOR THE F.B.I.”
What possessed me to rent this movie? No matter. I enjoyed it.
Carnival of Souls
This black and white gem from the early Kennedy administration era is a window into the past.
Steven Spielberg's “WAR OF THE WORLDS”
This movie gave me nightmares.
Peter Jackson's “DEAD ALIVE”
I’m not sure what this says about me and my taste in movies, but I think this film is some type of masterpiece.
Lucky McKee's MAY
So don't just expect blood and guts with this movie. There's serious well-made weirdness going on here.
When I read about this movie I knew I had to see it —- demons, hellfire, angels, exorcism, all duking it out for mastery over human souls.
Alien vs. Predator
Okay, Sanaa Lathan is no Sigourney Weaver, I still enjoyed this movie a great deal, despite the pedestrian story and lack of character development.
Monster Man
A bar full of amputee rednecks. Road trip guys chased by giant monster truck driven by faceless horror. Sexy scantily-clad hitchhiker. Giant pentagrams. Headless corpses. Fart jokes. Blood and gore up the wazoo. Road kill fantasies. This movie has it all.
Kaneto Shindo's ONIBABA
Shot in vivid black and white, this widescreen Japanese horror movie from 1964 operates on several levels. There is the supernatural aspect (the demon and the mask), there is the sexual frustration of the main characters that is wildly and explicitly unleashed during the film,