Dennis D. McDonald (ddmcd@ddmcd.com)consults from Alexandria Virginia. His services include writing & research, proposal development, and project management.
Following the success of Silence of the Lambs, movie and TV audiences have been treated to many pale imitations, most of which have failed to excite or provide any serious dramatic interest
This is an enjoyable Summer action vehicle that’s held together by Scott’s taught action direction, witty dialog, and effective performances by Washington, Travolta, and Gandolfini.
This movie expands upon the dazzling realistic-future-world special effects of Spielberg’s A.I. but wastes astonishing technical and artistic virtuosity on a hackneyed, uninvolving murder mystery.
Forget the happy view of post-WWII America as fresh faced kids running around green lawns in mass produced split level suburbs fed by newly minted commuter highways and GI Bill educations. Metropolis director's Fitz Lang's 1953 film The Big Heat is a reminder of a darker time when brave film makers occasionally veered into crime, sex, and darkness, barely skittering around a Film Production Code that enforced moral views that did not include crime, sex, and darkness.
It was the dame’s earrings … They kept jangling in my mind, like tolling Easter bells out of some giant, hollow, cavernous cathedral … dark, inky shadows … except for those damn earrings… like golden beacons in a monochrome Dark City …
There is a scene in Kurosawa’s High and Low where police emerge from the house of a man, played by Toshiro Mifune (Red Beard), whose lost kidnapping ransom, paid to recover the son of his chauffeur, has caused his total financial ruin. Yet there he is, calmly mowing his lawn with his power mower, while his life collapses around him. He seems to be enjoying himself. Life goes on.
This film is a triumph of style AND substance. The photography is striking, the performance are universally excellent, and the story keeps our interest until the very last scene.
That the life of crime can be portrayed as glamorous, dangerous, brutal, and ultimately as pointless is something we in the West have grown accustomed to. We have films like THE GODFATHER and GOODFELLAS that reinforce that as they simultaneously attract and repel us.